418 – Brave New World
Eighteen episodes have led to this point, the climax, the crutch, the single hour where Heroes must fight for survival and remind its viewers why they bothered watching it up all until this moment.
And it’s… about as disappointing and unsatisfying as the rest of this horrible story arc has been. Claire and Bennett manage to escape from their impossible situation (entombed in a caravan some thirty feet under the ground in the middle of nowhere) because Lauren called Tracey. The water woman helps them escape somehow and then vanishes from both the story and our minds, proving once and for all there was no reason to ever bring her back to life.
Hiro, at least, manages some closure to his pathetic story, somehow coming across an aged Charlie at the hospital after his brain tumour operation. Seeing that she’s had a wonderful life and has raised a whole family, Hiro decides to do the decent thing and leave her there to die. Charming.
Peter and Sylar escape from Parkman’s basement, only to find that Multiple Man Eli has taken control of the house. What could have been an interesting fight is then cut short by both a scene change and a cop-out. Parkman then invades Sylar’s head and makes him want to be good (only the third time Sylar’s wanted to switch sides, mind) and the mass murderer and Peter head off to the carnival. Parkman then invades Eli’s unconscious mind and then disappears from the story altogether.
But that’s not what the episode is about, no. This episode is where we finally discover what it is that Samuel has been up to and what his real intentions are. Well, we can finally reveal them to you, once and for all:
He’s going to kill people.
Eighteen episodes and that’s the best the writers can come up with. The carnival appears in Central Park in New York, where Doyle forces Emma to play her siren song and draw as many people and television cameras to them as possible. Bennett, Claire, Edgar, Peter, Sylar, Hiro and Ando all converge on the carnival to end mean old Samuel’s rotten schemes and, hilariously, the situation is defused with a conversation.
Six superheroes are up against an army of carnies and they solve all their problems with conversation. Yeah. Underwhelming doesn’t quite get it right. Punch in the balls is a more accurate way of describing it.
Hiro teleports all the superheroes away and Samuel is left powerless, making the viewers wonder why his brother Joseph ever surrounded him with Specials to begin with. Samuel is arrested and that’s that done.
The ending is so flat and boring it feels like it was done deliberately to enrage all those who wasted their time watching this pile of crap fester. Even the lead in to the next Volume is awful, managing to completely destroy the original idea behind the show.
The best thing to do is to put all this behind us and move along. Let’s choose to remember the greatness of Heroes. Before everything went wrong, before turgid romances and silly plot strands and unnecessary characters, back when it was great. Let’s remember it as a classic show that never got a second chance to prove what it could really do.
Goodbye, Heroes.
1 star